gliderwater9
User Name: You need to be a registered (and logged in) user to view username.
Total Articles : 0
Find a photo gallery of Estação Moema a modern stop on São Paulos Line 5Lilac View pictures of its unique architecture platform art and main entrances Moema Stations Architecture and Public Art Captured in Photographs For the most compelling photographs concentrate your lens on the monumental Voo de Xangô panel by Mestre Didi This 20meterlong 6meterhigh artwork composed of steel beads and shells provides a textured culturally rich subject It dominates the main access mezzanine making it the central visual element of the entire underground complex Architectural snapshots should also document the interplay between the raw concrete pillars and the extensive glass paneling These elements create stark geometric compositions particularly during midday when sunlight penetrates the access points Look for perspectives that frame the escalators against the textured concrete walls or capture reflections on the polished granite floors for dynamic abstract compositions A final category of visual documentation involves the human flow through this public transit point on the Line 5Lilac Longexposure captures can transform the daily commute into blurs of color against the static brutalistinspired backdrop Alternatively candid shots of individuals interacting with the ticket barriers information panels or waiting on the platform provide a narrative context to the buildings function Exploring Moema Station Through Photography Position yourself at the far end of the platform to compress the perspective of the receding ceiling lights Use a wideangle lens around 1624mm with an aperture of f8 or smaller to maintain sharpness from front to back A low ISO setting is preferable to produce clean architectural shots capturing the interplay of concrete textures and polished steel panels without digital noise The floors reflective surface doubles the geometric patterns an effect heightened after cleaning crews have passed through To properly document the art panels by Fernando Lemos stand at an angle to the glass protection to minimize glare from the overhead lighting A circular polarizing filter is highly effective here Instead of a flat central composition frame the artwork with a passing train or a waiting passenger to provide scale and context This transforms the shot from a simple record into a narrative scene within the underground facility Capture the motion of the arriving and departing trains by using a slow shutter speed Set your camera to shutter priority mode with a speed between 14 and 115 of a second Brace your camera against a pillar or railing to keep the static elements of the transport hub perfectly sharp This technique renders the train and people aboard as a blur of light and color contrasting with the crisp architecture of the concourse For detailed compositions focus on the signage the texture of the tactile paving or reflections in the safety glass A prime lens such as a 50mm f18 excels at isolating these elements The best time for unobstructed photographic work is during offpeak hours specifically between 10 AM and 3 PM on weekdays This period provides a lower volume of foot traffic allowing for more deliberate framing without constant interruption Pinpointing Key Architectural Features for Striking Images Direct your lens upward from the lowest platform level to frame the massive concrete beams against the geometric glass skylights For maximum effect photograph between 11 AM and 2 PM when direct sunlight casts sharp linear shadows across the floors creating a highcontrast composition that accentuates the structures depth Using a 1635mm lens will exaggerate the scale of the overhead elements Position your camera at the base of the main escalators using their diagonal lines to pull the viewers eye through the frame A slow shutter speed around 12 second with a tripod will render moving people as blurred forms contrasting their fluid motion against the rigid metallic stillness of the transport system This technique isolates the architectural geometry from the human traffic Seek out points where brushed steel columns meet raw concrete walls A closeup shot focusing on the seam between these two materials highlights their textural conflict Use a prime lens with a wide aperture like f20 to isolate a specific detail such as the reflection on the steel while letting the porous concrete surface fall into a soft background blur Incorporate the Miragem art panel by Paulo Pasta not as the subject but as a colorful background element Frame a solitary figure walking past the panel using its bold geometric patterns to add a splash of primary color to the otherwise monochromatic grey and silver palette of the concourse httpspinupitcom creates a layered photograph with both a human and an abstract point of interest Emphasize the cavernous scale of the main hall by creating compositions dominated by negative space Place a single person on the far edge of the frame allowing the vast empty floor and high ceiling to occupy the majority of the shot This communicates the architectures immense volume and the individuals relationship to the grand subterranean space Documenting the Unique Art Panels and Installations Inside For sharp records of the photographic murals set your cameras ISO between 400 and 800 to compensate for the subterranean lighting without introducing excessive grain Use aperturepriority mode A or Av with an aperture of f4 or f56 to maintain focus across the flat surface of the panels The primary installation consists of largescale panels by German Lorca displaying historical blackandwhite scenes of the surrounding Ibirapuera district Focus on capturing the contrast between the mid20thcentury content of the photographs and the modern metallic architecture of the transit hub itself Capture the full length of the Lorca panels using a wideangle lens ideally in the 1635mm range to incorporate the terminals curving ceilings and structural supports into your composition Position yourself at a threequarter angle to the wall to add depth and avoid flat direct perspectives Isolate specific historical elements within the murals Use a 50mm or 85mm lens to frame details like vintage automobiles period fashion or architectural styles from the 1950s This creates a direct comparison with the contemporary commuters passing by the artwork Document the interplay between the historical photographs and the facilitys colored vitrified tile work The glossy surfaces create reflections offering opportunities for abstract shots that combine past and present textures within a single frame Look for moments when the trains lights illuminate these surfaces To minimize motion blur from passing crowds and trains use a shutter speed of at least 1125s Plan your documentation for offpeak hours such as midmornings on weekdays for unobstructed views of the art installations and cleaner architectural lines Best Vantage Points Around the Station for Exterior Shots For a powerful wideangle composition of the main glass canopy position yourself on the northeast corner of Avenida Ibirapuera at the intersection with Avenida Divino Salvador This spot allows the afternoon sun to illuminate the structures western facade creating dynamic reflections MidBlock Telephoto Compression Stand directly across Avenida Ibirapuera approximately 50 meters south of the main entrance From here use a telephoto lens 70200mm range to compress the perspective This technique makes the architectural structure appear layered against the residential buildings behind it highlighting its place within the neighborhoods fabric Best Time Late afternoon for warm sidelighting Objective Capture the contrast between the modern public transport facility and its surroundings Pedestrian Island Low Angle The central pedestrian refuge on Avenida Ibirapuera offers a direct symmetrical viewpoint Get low to the ground to use the white stripes of the crosswalk as leading lines pointing directly toward the entrance This angle exaggerates the scale of the entrance canopy Gear Tip A circular polarizing filter will reduce glare on the glass surfaces and deepen the skys color Focus Emphasize the buildings geometric purity Elevated Perspective from Rua Gaivota Walk one block west to Rua Gaivota The slight elevation change on this street provides a higher vantage point looking back towards the subterranean complex This perspective captures the roofline and the flow of people in the plaza below offering a more contextual photograph of the hubs daily function Blue Hour Abstract Details After sunset during the blue hour stand close to the glass walls Focus on the interplay between the cool exterior light and the warm artificial lighting from within This is ideal for abstract compositions focusing on light color and reflection rather than the entire building Technique Use a tripod for long exposures to blur the movement of passersby into streaks of light Subject The patterns and textures of the building materials themselves