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Explore the Chauvet DJ 4PLAY 2 a portable quadmoonflower lighting system Review its features DMX control setup options and performance for mobile events Chauvet DJ 4PLAY 2 InDepth Review A Compact FourFixture Lighting System For mobile entertainers seeking maximum impact with minimal setup the DJ 4Beam 2 system is a superior choice over individual PAR cans or bulkier fixtures This integrated unit projects four distinct adjustable beams from a single Tbar immediately filling a mediumsized venue with synchronized or individually controlled light patterns Its preprogrammed automated shows and soundactive modes accessible directly from the unit or via an optional IRC6 remote eliminate the need for complex DMX programming for quick gigs The entire system weighing just 49 kilograms fits into its included carrying case making transport from vehicle to venue a single effortless trip The core strength of this quadmoonflower effect lies in its efficiency and visual coverage Each of the four pods contains 61 highoutput LEDs 21 red 21 green 19 blue creating sharp multicolored patterns that cut through atmospheric haze The ability to mount the fixture directly onto most standard tripods or utilize its builtin bolts for truss mounting provides exceptional positioning flexibility For advanced users 6channel DMX control allows granular command over each lighting pod enabling the creation of intricate customized sequences that integrate seamlessly with larger lighting rigs Power linking up to 26 units at 120V or 46 at 230V significantly reduces cable clutter and simplifies power distribution for larger events This feature combined with its low power consumption of just 26 watts makes it an economical option for extended use The systems design prioritizes speed and convenience making it an ideal primary lighting fixture for wedding DJs small bands and party rental companies who require a professionalgrade light show without the logistical overhead of componentbased systems Chauvet DJ 4PLAY 2 A Practical Guide For optimal coverage in a small venue up to 50 square meters position the light system on a stand extended to at least 25 meters Angle the individual lighting heads slightly downwards to illuminate the target area without creating direct glare for the audience The ideal placement is centered in front of the performance space Operational Modes for Specific Scenarios Select the appropriate mode directly on the units rear panel for fast setup Automated Programs Use Program 1 P1 for slow atmospheric transitions suitable for background music or early evening events Programs 79 P7P9 offer faster more energetic sequences perfect for peakhour performance SoundActive Mode For responsive lighting set the microphone sensitivity between 7085 This level ensures the effects react to the beats transients without being triggered by ambient crowd noise Position the unit away from subwoofers to prevent false triggers from lowfrequency vibrations MasterSlave Configuration To synchronize two units connect them with a DMX cable Designate one fixture as the Master and set it to an automated or soundactive program Set the second unit to Slave mode SL The Slave unit will mirror the Masters output doubling the visual impact DMX Control Precision Programming Utilize a DMX controller for complete command over the lighting fixture The 8channel mode offers the most granular control Channel 1 Mode Selection Sets the operational mode A value of 09 selects blackout 10179 runs builtin programs and 180255 enables DMX control over individual heads Channel 2 Strobe Controls the strobe effect speed from slow low DMX values to fast high DMX values A value of 09 typically means no strobe Channels 3 4 Head 1 Control the color CH3 and rotation CH4 of the first lighting head Channels 5 6 Head 2 Manage color and rotation for the second head Channels 7 8 Heads 3 4 These channels are typically unassigned or mirror other heads in the basic DMX profile Consult the devices DMX chart for specific assignments Mounting and Transport The included mounting bracket fits standard 35mm 1 38 inch tripod stands Ensure the stands load capacity exceeds 10 kg for safety For transport use the provided carrying case The foam inserts are customcut to protect the individual effect heads and the main bar from impact Before packing allow the unit to cool for at least 15 minutes The LED emitters generate heat that can degrade components if packed away while hot Troubleshooting Common Issues Flickering Lights nonstrobe Check DMX cable termination An unterminated DMX line can cause signal reflection and erratic behavior Use a 120ohm terminator in the DMX Out port of the last fixture in the chain Unresponsive in SoundActive Mode The ambient noise is too low or the sensitivity is set incorrectly Increase the microphone sensitivity setting on the rear panel If the music source is far away the internal microphone may not register it One Head Not Working In DMX mode verify the DMX values for that specific heads channels are not set to zero or blackout In automated modes this could indicate a hardware fault requiring service How to Set Up and Mount the 4PLAY 2 for Mobile DJ Gigs Position the mounting bracket directly onto a standard 15inch 38 mm tripod stand by aligning the central hole and securing it with the included handtightening knob For truss mounting utilize an Omega bracket and a Cclamp rated for at least 15 lbs 68 kg Attach the Omega bracket to the main fixtures housing using the two quarterturn fasteners then secure the Cclamp to the trussing before hanging the unit Verify the clamp is fully engaged around the truss pipe Adjust the angle of the main crossbar by loosening the side knobs tilting the entire assembly to your desired orientation and retightening them firmly Each of the four individual lighting heads can also be aimed independently Gently pivot each head on its swivel joint to direct its beam precisely creating layered effects or covering distinct areas of the venue This allows for both symmetrical washes and asymmetrical accent lighting from a single fixture Connect the included IEC power cord to the units power input and then to a suitable power outlet or power strip For DMX control connect a 3pin DMX cable from your controllers output to the fixtures DMX IN port To link multiple units run another DMX cable from the first fixtures DMX OUT port to the second fixtures DMX IN port Always use a DMX terminator in the DMX OUT port of the last fixture in the chain to prevent signal reflection and erratic behavior For standalone operation without a DMX controller select a program using the control panel Press httpsplazaroyalcasino24casino to cycle through options like SoundActive mode or automated shows Use httpsplazaroyalcasino24casino UP and DOWN buttons to choose a specific preprogrammed sequence The sensitivity for SoundActive mode is adjustable via the menu allowing you to match the fixtures response to the ambient volume level of your performance A higher sensitivity setting works for quieter environments while a lower setting prevents chaotic flashing during loud music segments Programming Custom Light Shows Using DMX Controllers To program custom light shows with DMX for the quadmoonflower effect bar assign a starting DMX address to the unit For instance set the address to 1 This action makes the first fixture respond to DMX channel 1 the second to channel 4 the third to channel 7 and the fourth to channel 10 Each individual light effect requires 3 channels for full control If you require independent command over all four effects your DMX controller must manage at least 12 consecutive channels A basic 6channel controller will only operate the first two light heads completely In 3channel mode the entire lighting system acts as a single unit Channel 1 governs the mode selection eg blackout automatic soundactivated channel 2 adjusts strobe speed from slow to fast and channel 3 cycles through the 16 builtin color and gobo combinations This mode simplifies programming but sacrifices individual head control For detailed sequencing use the 12channel mode In this configuration channels 1 4 7 and 10 each select the colorgobo pattern for their respective lighting head Channels 2 5 8 and 11 control rotation direction and speed for each corresponding head Channels 3 6 9 and 12 manage the strobe effect for each head independently For example to make the first light head display a red pattern and strobe quickly while the third head shows a static blue you would set a high value on channel 3 and a zero value on channel 9 while selecting appropriate color values on channels 1 and 7 When programming scenes on your DMX controller build static looks first For a specific color combination set the desired pattern values on channels 1 4 7 and 10 Save this as a scene Create another scene with different patterns By sequencing these static scenes in a chase with a specific step time you create motion To add dynamic movement program changes to the rotation channels 2 5 8 11 within each step of your chase A value of 09 on these channels typically holds the motor position while higher values initiate clockwise or counterclockwise rotation with speed increasing as the value approaches 255 Troubleshooting Common Issues Flicker Unresponsive Lights and DMX Signal Problems Address flickering lights by first checking the power source Connect the lighting system directly to a wall outlet bypassing any power strips or extension cords to test for voltage drops Ensure the power cable is securely seated in the units IEC socket If the issue persists switch the unit to a different electrical circuit within the venue one that is not shared with highdraw equipment like refrigerators or large amplifiers For an unresponsive fixture head confirm the unit is in a mode that allows individual control such as a multichannel DMX setting Inspect the physical connections between the main bar and the specific light pod A loose internal connector can interrupt power or data flow to a single PAR Gently reseat the pod on its mounting point Test the unresponsive light in SoundActive or Auto mode to determine if the problem is with the light itself or the control signal Resolve DMX signal problems by verifying the DMX cable is a true 120ohm data cable not a microphone or audio XLR cable Incorrect cable impedance is a primary cause of erratic behavior Install a DMX terminator in the DMX Out port of the last fixture in the chain This small plug prevents signal reflections that can corrupt data If a single light in a DMX chain is malfunctioning bypass it by connecting the DMX input of the next fixture directly to the output of the previous one This isolates a potentially faulty DMX board in the bypassed unit When one or more colors fail to display on a specific light the cause is often a failed LED element or a driver issue To confirm set the entire lighting system to display only the problematic color using a static DMX scene or a manual color setting If the other pods display the color correctly the issue is isolated to the hardware of the single unresponsive pod Accessing the internal components may be required for further diagnostics or repair